Monday, October 31, 2016

All Bets Are Off


"Glow"
oil on canvas
11" x 14"

It's Halloween.  

I have never really done much for Halloween, but I enjoy it.  Mostly, because people get to dress in costumes and act like something else entirely for a day.  Everyone acts out of character on purpose and really enjoys "being" someone they aren't...or at least, someone they think others believe they are not.  I wonder about "acting a part" all of the time.  What if, tomorrow, I decided to stop being a painter altogether.  Maybe I could be a doctor, or a pilot, or a referee, or a hobo.  I really think I could be equally satisfied doing any number of things besides painting pictures.  But I'm so invested in this costume...

That was a little much.  More than anything, I guess I just like the candy. 


Monday, October 24, 2016

Portraits


"Rachel"
oil on canvas
24" x 30"

My "100 faces" portrait project is starting back up.  After hitting the half way point, I took a bit of a break over the summer.  I had planned on starting back in August, and now, in late October, I'm finally ready to knock out the last 50.  I'll probably blab more about this project in the weeks to come, but for now, I just want a few more volunteers.  I won't twist your arm...I only want true volunteers.  If one of the three of you that read this on a regular basis decide you'd like to participate, get in touch and we'll schedule a session.  

Sunday, October 23, 2016

Selling Out / Buying In


"Hasler's"
oil on canvas
24" x 36"

I found out this painting won an Honorable Mention Award at the Cincinnati Art Club's Annual Viewpoint Exhibit.  I won some money to Dick Blick Art Supplies.  That's great news, as I use Dick Blick student-grade paint almost exclusively.  Hopefully, I'll eventually get that Blick endorsement deal I've been hoping for.  I've already bought a bunch of racing jerseys for my sponsorship logo's.  Blick will get major real estate on the back, of course, but I'm also saving room for Skittles, Banana Boat, Stroh's, Duck Tape, and Fritos.  Some call it selling out, but I just call it being art-smart.  Want a piece of artistic glory?  Buy yourself some advertising space on my back.  Heck, with a little bit of monetary teamwork, we could get LeGrand's in the Target, maybe even Pier 1...anything is possible.

Saturday, October 22, 2016

Dead Bird


"Robin"
oil on canvas
12" x 16"

I've been painting lots of dead things lately.  Have a great weekend!

Thursday, October 20, 2016

Brookville


"Truck"
oil on canvas
12" x 16"
*painted outside of Brookville, Indiana with the legendary Larry Rudolech

It's been a few days.  I meant to post earlier, but it was a busy week...between the end of a grading period at school, band rehearsals, and a lack of sleep, I've had a hard time catching up with internet stuff. 

I have been attending Indiana Plein Air Painters' annual "paint out" in Brookville, Indiana for 5 or 6 years now.  At my first outing, I hadn't really figured out how to approach plein air painting yet.  I know I've just scratched the surface at this point, but my paintings are a hell of a lot better.  It seems like it was forever ago, but when I really think about it, I've covered a lot of ground over the past few years.  Every October I look forward to standing in the Whitewater River, drinking beer for breakfast, painting in the streets through the night, warming up at the McDonald's, eating fried chicken, getting heckled by the locals, and hanging out with fellow painters.  This year, I had a blast with my good friend, Larry Rudolech...but that's a different story I'll tell another time.  Brookville has become a big part of my yearly routine.  I hope I never miss it.  

A few years ago, I attended the same event in Brookville in hopes to sell a painting or two.  I had good luck the year before and had high expectations for a profitable weekend.  In fact, I was depending on it.  At the time, I was living week-to-week, trying to learn how to paint while simultaneously trying to convince people I was a "professional artist".  It was silly to be so concerned about "establishing myself", but at that time, I was totally invested in painting and being recognized as a painter.  Possibly, more invested in convincing myself I was doing something important...or should I say, fooling myself.  Whatever the case, I had very little money and had decided that a good weekend at Brookville was my best bet at paying my overdue bills and rent.  To make a long story short, I painted non-stop for three days, slept in my car, and failed to sell a single one of the 24 pictures I made.  On the disappointing drive home, just a few miles from the interstate, my car started shaking violently.  I slowed to a crawl, but because of the winding road and long line of cars riding my rear bumper, I was unable to pull over.  At the very moment I spotted a county road adequate for a pit stop, I heard a loud noise and my car jolted forward.  I looked to the left and was shocked to see my front, driver-side wheel rolling at the same speed an arm's length away from my vehicle.  I was probably 150 yards away from the county road pull-off, driving uphill on three wheels, sparks shooting 10 foot into the air as my brake rotor dug a 3 inch rut through the asphalt.  I put my foot down, knowing that if and when my car stopped, it would stay stopped.  It happened in a flash, but I distinctly remember thinking how ridiculous the whole scene was as I roared down the road, visualizing the events, as they were occurring, as some silly television show...not unlike the Newman in a flaming mail truck, delivering recycled soda bottles for profit, Seinfeld scene.  As I slammed my car into park on the wrong side of a county road, more than 100 miles from home, I became incredibly scared.  The near catastrophic car accident was intense, but while inspecting the empty hole where a wheel once was, I realized I had an equally empty and much more terrifying hole in my wallet.  Aside from the loose change in my cup holder, I had only 4 dollars in my pocket.  That 4 dollars was literally all of my money.  Actually, with the massive amount of student loan debt I had accrued, my outstanding bills, and my recently maxed out credit card, I guess you could say that those 4 one dollar bills weren't mine either. 

Prior to that moment, I hadn't realized how desperate I was.  In hindsight, it was incredibly irresponsible and foolish for me to travel that distance in such a poor vehicle, with such poor artistic skills, at such a poor opportunity for financial gain with such a poor choice of a career...while being what some people would call "poor".  I don't want to give the wrong idea, as I've never felt as if I was struggling.  Even though this story hints at that, I've never been without options and opportunities.  I could've always asked my parents for a loan, but at this point, I had decided that option was off the table.  I could've fallen back on a job doing something more practical than painting pictures, but that hadn't even crossed my mind.   I'm incredibly stubborn and I often suffer because of it.  And like many others, I found disappoint as an "artist" very quickly in the venture.   I took a lot of silly risks and made many poor decisions that just so happened to work to my favor in the long run.  I've heard people talk about taking a chance on your own confidence, and that might've been the case for me, but when you find that you love something as much as I found that I loved painting, nothing seems like a chance.  I'm so grateful for my naivety and the good fortune I've found from "living in the moment".  I could make a whole bunch of "if I knew what I know now" type statements, but the truth is, if I would've known better a few years ago, I'd never be in such a favorable situation today.  When I look back over the past few years, I'm happy to say that I've achieved much of what I once aspired to, but as everyone knows, being somewhere often pales in comparison to getting there.  

I could finish the lost wheel story, but it doesn't matter.  I made it home, I spent my last 4 dollars, and I eventually got my car fixed.  Funny enough, I sold a couple paintings a few days later, temporarily fixing everything.  I hit a few more rough patches.  I'm guessing I'll have many more.  Rough patches have a way of smoothing themselves out if you let them.  When they do, they end up seeming much less rough or much more rough in hindsight...according to the type of story you want to tell and the type of person you want people to think you are.  Today, I'm telling the happy ending story of perseverance and passion from the point of view of a mildly successful "professional" artist of very few years.  But...it doesn't really matter, because I paint pictures and nobody really needs a picture for anything.  In fact, I might stop painting altogether.  I've always wanted to drive a truck...

Thursday, October 13, 2016

Feature


"Brittany and Purple"
oil on canvas
24" x 48"

So, I'm a "featured artist" at the Brown County Art Guild in Nashville, Indiana.  I've got about twenty paintings on display about love, life, and death.  Actually, they are paintings of my wife, our pets, my grandparents, and a few dead mice.  If you're wandering beautiful Brown County this month, grab a bag of kettle corn and stop in...to Big Woods Brewery.  They've got a great pumpkin porter.  

Wednesday, October 12, 2016

Wyatt LeGrand AIS OPA NOAPS ASS


"On the Hill"
oil on canvas
30" x 30"

I apply to all sorts of juried exhibitions.  I kind of hate it, but at this point, I feel like I still need to do it.  Disappointment is a big part of these endeavors.  Getting juried into a show involves paperwork, due dates, and hefty fees.  If you're lucky, you might get in.  If you're in, you get to pay way too much to ship your work with additional "unpacking and handling fees" to a gallery too far away to visit.  If the painting arrives intact, the frame is probably busted.   If it isn't, it will be by the time it's shipped back to you in somebody else's box (that they want back) with virtually no packing material but plenty of dust and dirt.  Sometimes your painting gets lost or the gallery waits to ship it back until you've called eight times to inquire about its return, three months later.  Don't count on awards at the exhibit.  The better you think your painting is, the less likely you'll be recognized.  But if you've managed to get this far, you've figured out a long time ago that your best work won't get in, so you send your least favorite paintings in hopes they'll please these non-artist judges.  Don't count on that award covering your expenses either.  In fact, go ahead and assume that the prize is actually a "purchase award" for approximately half the value of your work.  Don't be surprised if they send your check to the wrong address, two months later, with your name misspelled.  Don't be surprised if they resell your painting at an auction house for double the amount you asked for, four times the amount that you were actually paid.  Don't be surprised if the show you entered in hopes it would lead to a sale, new gallery representation, or some type of accolade actually just leaves you several hundred dollars in the hole, in no way "more established" as a professional artist, and overall, more discouraged than ever that the most prestigious and honorable venues for your work don't actually do anything to support you as an artist.  For that matter, anything to support art in general, and rather, the bottom line of a gallery and the egos of a few "modern masters".  

There's nothing new about this, I'm sure.  And please don't misunderstand, I'm not angry about it...in fact, I'm getting quite a chuckle out of writing this.  It is what it is.  Every once in a while, I get lucky and sell a painting.  Every once in a while, I win an award.  Every once in a while, these silly art competitions help me pay my bills.  So long as I'm making more than I'm losing, I don't have a problem with swallowing my pride and playing the game.  I'm eventually going to get so fed up that I just say the hell with it.  In the meantime, I'll continue to be a hypocrite and bite the hand that feeds me.   It's all in fun, but I mean it.  It's fun to poke fun and shrug off the importance of things that I should probably take more seriously.  It's fun to pretend I'm witty.  It's fun to make fun of myself by critiquing things I'm involved with that don't actually matter.  But seriously, I'm really serious about all of this.  Just kidding...seriously.  

Pretend I didn't just say all of that.  

I'm honored to take part in the 17th Annual American Impressionist Society's Annual Exhibition at the Howard/Mandville Gallery in Kirkland, Washington.  My painting "On the Hill" will be on display through the end of the month with a whole bunch of better paintings by artists of high distinction...some who are even allowed to write acronyms behind their signatures on all of their paintings so that we can recognize that the artist is better than most others.  I guess you could say I'm an aspiring AIS, OPA, NOAPS master signature member.  I can't wait until those dreams are realized, but I'd like to share some big abbreviation news of my own...I've just been recognized as a member of the American Satirist Society.  It's not a requirement, but I'm really looking forward to signing my acronym behind my name.  

Tuesday, October 11, 2016

Just Another Band from L.A.







"The most important thing in art is the frame. For painting: literally; for other arts: figuratively - because, without this humble appliance, you can't know where The Art stops and The Real World begins. You have to put a "box" around it because otherwise, what is that shit on the wall?" — Frank Zappa

I think that I think more of my paintings than I should.  Not all of them and not all of the time, of course, but every so often, I really enjoy something about something I did.  Actually, much of the time it’s on accident.  A certain theme or statement might emerge from a painting after the fact, making itself apparent while completed and leaning against the wall, rather than from some stroke of genius while staring at blank canvas.  I know they’re just paintings, but I love when they begin to represent more than I had planned.  I love when a larger idea is realized with a simple image, especially when it’s something new for me to think about, stumbled upon accidently.  Most of the time though, the excitement I find when convincing myself  I’m doing something “artful” is immediately subdued by my acknowledgement that it was inadvertent.  It’s like blindly throwing a bunch of spices in a pot and accidentally creating the best soup you’ve ever tasted, just to disappoint yourself when you realize you’ll never know your own recipe. 

Anyhow, regardless of how a painting becomes special to me, it’s always a struggle to share that “specialness” with others.  The fact of the matter is, no matter how important a subject is to me, I have to assume that no one else will see anything other than colored marks on a canvas.  That’s not to say that I’m creating “art” beyond anyone’s intellect…it’s most definitely the opposite, but why should someone have to invest any energy at all when looking at a painting.  If it’s a non-artist, it’s “Does it look real or not?”  For another painter, it’s “Does it look harmonious?  Is it a good composition?  Does it look like another artist I respect?”  For a few, it might be a question of “Is it weird enough?  Is it expressive enough?  Is it ‘modern’ enough?”  Whatever the case, it’s a decision that can be made at a glance, with a lot of subjectivity, and usually, at the artist’s expense.  My paintings look like a lot of other paintings, so any argument of the contrary would be fruitless.  And I assume the artists of those other paintings have the same struggle.  We’re all screaming about something with our work, and right in the ear of all who can hear…we just can’t force a person to listen. 

It must be a constant struggle of finding your voice, whether with purpose or accidentally, stumbling upon someone willing to hear you out, and then choosing to hold your tongue.  I could explain what a painting means, but I don’t think anyone is really listening, and if they are, they’ve already made up their mind one way or another.  Maybe, as much as I find I’ve said in a painting, even if I’m saying it to myself, the real art is in hearing what a few exceptional viewers believe I’m saying to them.  Or, something like that.


I’ve really fallen in love with Frank Zappa as of late.  His dedication to his music, audacity in the face of hypocrisy and narrow-mindedness, and brutal honesty with everything and everyone has stirred up all sorts of admiration from me.  This post’s opening quote got me thinking…if everything on the wall is already framed, how do you ensure that your contribution still stands out amongst all of the shit?  Does acknowledging that a thing was created according to an individual’s own definition of art actually make it artful for all those who see it?  Is art just a product of a person calling his or herself an artist?  How many answers can you come up with?  If there’s anything I’m relatively sure of, it’s that none of it matters anyway. 

Monday, October 10, 2016

Up for Debate


"Contest"
oil on canvas
12" x 16"

Yeah Yeah...

Yeah yeah…I haven’t posted in a long time.  Nobody’s been begging for more blog posts, so I’m not very sorry about slacking off.  Truth is, I’ve been a little overwhelmed with, well, everything.  School started since my last post, which has a way of making time a little harder to come by.  I’m pretty good about keeping my school work at school, but that doesn’t mean I come home every afternoon ready to crank out a dozen paintings.  When I do come home in that mood, it obviously leaves less time for me to blab about myself online, which is a good thing.  A lot of stuff has happened in the past couple months, so I’ll be trying to catch up with my posts on a more regular basis.  The good news for me…if you’re reading this, I assume you like hearing about my latest work and are willing to indulge my thoughts and ramblings on the day-to-day.  The good news for you…this will soon be the only place online where I “post” anything…so, you can say you were the first to truly “follow” me.  To top it off, you’ll be able to do so without viewing my latest work sandwiched between bad political memes and sunglasses advertisements.  The bad news...well, it might be the same as the good news for some of you.  For whatever reason you’re here, thank you.